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![]() ![]() Thankfully powermetrics quickly disabuses of that gross error: 100% active residency of an E core running at maximum frequency uses around 100 mW, and the same active residency of a P core running at its higher maximum frequency uses ten times that amount, 1000 mW.īecause macOS controls the frequency of E cores on different M1 chips differently, your results won’t be consistent across different Mac models. Activity Monitor is oblivious of that, and doesn’t correct its CPU values to allow for frequency changes.Ī little study of the figures given for energy show they’re essentially the same as CPU, and that, regardless of frequency or core type, full active residency of a core counts as 100% CPU and 100 energy units, just as they would on an Intel processor with its identical cores. Although this is fiddly, the effort is worth it: with the single thread, the E cores run at a frequency of about 972 MHz, but with two threads that increases to their maximum of 2064 MHz. To discover how Activity Monitor is coming to those false results, you’ll need to run the command tool powermetrics to discover the frequencies the two E cores were running at, and their actual power consumption. So running twice the amount of code on E cores alone takes the same amount of energy, according to Activity Monitor. Running two threads has a total energy of 1940, at 970 per thread. The single thread has a total energy of 1931 units.s, at 1931 per thread.
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![]() It strips bare the exteriors and shows me what life is actually about on a daily has always been my passion to be a doctor. Why 32 Students Share What They Love About Working in the Healthcare love the healthcare field because it lets me profoundly influence a person’s life especially in a situation where they need help the most. Take a look at what 32 healthcare students recently shared about why they find going to school for a career in healthcare so rewarding. Job security as the result of growth in the industryĪt the end of the day, don’t take our word for it.Some reasons you might consider working in the healthcare field: No matter your skills and interests there could be a job working in the healthcare field that might be for you! From careers as an allied health professional to advanced or rare specialties in surgery, medical careers offer appealing benefits you might be interested in. 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In the wake of the COVID-19 pandemic appreciation for healthcare professionals soared while applications for medical school, nursing school, and allied health programs reached record numbers. ![]() ![]() ![]() Finally, a helmet ( 881002), usually a Corinthian style made of bronze, protected the head and completed the armor of a hoplite. A bronze breastplate, similar to our breastplate from The Eagle ( 888014), was worn as additional protection for the vital areas. Footwear was restricted to sandals ( 100958) and often times the feet of an enemy were sought after for a crippling blow. Bronze or leather greaves ( 881006, 200854) were worn to protect the lower legs as they were not covered by the shield. Legend says that a Spartan warrior was given his shield by his mother and instructed to “come back with it…or on it.” This meant come back in victory with your shield or dead and carried on it.Īs a shield covered a hoplite from the chin all the way to the knee, other armor was sparse. ![]() The shield was so important that the Spartans implemented a system where any Spartan warrior who lost his shield was severely punished and often killed. Because of this, the shield became a symbol of unity as each man both defended others and relied on others for defense. Worn on the left arm, it provided some protection for the owner while at the same time offering additional protection to the man to the left of the owner. Each shield was round and approximately 36” to 38” in diameter. This gave it incredible strength while at the same time not making it so heavy that it became unusable. The shield was made of overlapping planks of wood covered in leather, with the face of the shield covered completely in a thin sheet of bronze. Several figurines of Isis nursing Horus have been found at the site, indicating an association with Hera and Isis.A hoplite’s most important piece of equipment, and what gave the hoplite its name, is the hoplon, the shield ( 881004). The site has been documented by archaeologists who have established a chronology against which the full range of votive objects deposited at the Heraion from the 8th century onward can be compared. The Late Archaic Heraion of Samos was the first of the large free-standing Ionic temples, but its predecessors at this site reached back to the Geometric Period of the 8th century BC, or earlier. The Heraion of Samos was a large sanctuary to the goddess Hera, in the southern region of Samos, Greece. Their armor was made of full bronze, weighing nearly 32 kilograms. The heavily armored Hoplite armor passed down in families since it was expensive to manufacture. The rich upper-class hoplites typically had a bronze cuirass, which was a rigid metal cover for the torso, of either the bell or muscled variety, as in this statue.Īlso, a bronze helmet with cheek plates, as well as greaves or the legs and other body armor. The Greeks also employed the phalanx in the Second Greco-Persian War. The Persian archers who fought in the Battle of Marathon failed because their bows were too weak for their arrows to penetrate the wall of Greek shields that made up the phalanx formation. The formation proved successful in defeating the Persians when employed by the Athenians at the Battle of Marathon in 490 BC. In the 8th or 7th century BC, Greek armies adopted a military innovation known as the phalanx formation. In the modern Hellenic Army, the word hoplite is used to refer to an infantryman. However, some states did maintain a small élite professional unit, known as the “chosen.” Hoplites were not professional soldiers and often lacked sufficient military training. The hoplites were primarily represented by free citizens who were able to afford the bronze armor suit and weapons. The phalanx formation discouraged the soldiers from acting alone, for this would compromise the formation. Hoplite soldiers utilized the phalanx formation to be effective in a war with fewer soldiers than the enemy. Hoplites were citizen-soldiers of Ancient Greek city-states who were primarily armed with spears and shields. It represents the hoplite warrior more often seen in bronze statuettes. ![]() Although it is incomplete, this life-size depiction of a fully armored warrior is unique in Archaic Greek sculpture. The pieces were reassembled and the gaps filled by museum conservators. It was found about 1914 at the Heraion of Samos, which was a large sanctuary to the goddess Hera, in the southern region of Samos, Greece. This torso of a Hoplite Warrior was restored from four large fragments. The stomach muscles are highly stylized, and two spirals mark the strong pectoral muscles on the chest. The type of armor shown was worn by Spartan foot soldiers and is carved to follow the warrior’s musculature. The figure could be Ares, the Greek god of war, or Apollo, or a legendary hero warrior who died in battle. As the only visible facial features, they define the warrior as a war machine. Peering out from between the closed cheekpieces of the Ionian helmet are two almond-shaped eyes. ![]() ![]() In Storm Boy, the Coorong is both a sanctuary for native birdlife and a refuge for its protagonists. Hope is not lost entirely – a “bird boom” earlier this year suggested a path to recover for the Coorong, though ”the jury’s still out” – but the sad state of the region nowadays reinforces the importance of Storm Boy’s messages of sensitivity and conservation. Mass extinctions and declines in breeding, credited to super-saline water caused by “years without an environmental flow from the Murray-Darling system” saw The Age declare the ecosystem “dead” in 2006. ![]() ![]() In the four decades since Storm Boy’s filming, the Coorong has degraded to a potentially irrevocable state of disrepair. Said businessman are caught at sea in a raging storm, and only rescued by the intervention of Mr Percival who – in the film’s least plausible, most crowd-pleasing moment – flies a lifesaving line out to them. "The sad state of the region nowadays reinforces the importance of Storm Boy’s messages of sensitivity and conservation." (Environmental vandalism, it seems, goes hand-in-hand with excessive alcohol consumption.) The callous hunters who gun down Mr Percival’s mother – and, ultimately, Mr Percival himself – are the most obvious threats to the environment, but their blithe destruction is joined by casual neglect: the drunken louts who plough their dune buggies through the undergrowth (an addition to Thiele’s story, inspired by producer Matt Carroll’s encounter with “the incongruous sounds of… booze-fuelled hollering” in the area), or the boating businessman who toss their empty beer cans into the lagoon without a second thought. The film’s environmentalism is nuanced throughout, representing the diverse challenges to the sanctity of its seaside setting. This portrait of nature avoids naiveté, with an encounter with a deadly black snake acknowledging the perils amidst the picturesque views. Geoff Burton’s cinematography gently captures the Coorong’s beauty, creating a contemplative sense of fragility that cuts through even when watching the most overworn video cassette. If you’re looking for a case for the conservation of the Australian natural ecosystem, Storm Boy operates as an effective exhibit. A remake – which “an older Mike Kingsley recounts his pelican adventures to his wayward granddaughter” – is even in the works (perhaps hoping to recreate the success of 2011’s surprise hit Red Dog), to the doubtless delight of primary school teachers across the nation. A recent restoration has toured the country, playing at Adelaide panel discussions, the Canberra International Film Festival and this year’s Brisbane Asia Pacific Film Festival. The Guardian’s 2014 rewatch of the film celebrated it as “a drama deeply attuned to its own aesthetic” while a recent FilmInk retrospective noted that “the film truly stands the test of time.”Īdmittedly, Storm Boy’s prominence may have waned somewhat over recent years – not helped by a middling-quality DVD transfer – but its 40th anniversary has seen it swoop back into the public consciousness in a big way. Forty years on from its premiere at Adelaide’s Fair Lady Theatre on the 18th of November, 1976, Storm Boy remains an important piece of Australian film culture. Storm Boy’s release was heralded by a handful of awards, largely from Australian institutions – most notably the Best Film gong at the 1977 AFI Awards (Safran, Dalaithngu and screenwriter Sonia Borg also nabbed AFI nominations). But the idyllic rhythms of lagoon life are challenged by the encroachments of the real world, and all that implies for Storm Boy’s unconventional childhood. ![]() Storm Boy forges a friendship with Fingerbone and one of the pelicans, named Mr Percival. ![]() ‘Storm Boy’ is thus named by Fingerbone Bill (David Dalaithngu), with whom he rescues a trio of pelican chicks, abandoned after their mother’s death. It takes place in a remote South Australian lagoon system and national park called the Coorong. The film stars prepubescent Greg Rowe as the titular ‘Storm Boy’, better known as Mike to his dad Tom Kingsley (Peter Cummins), whose own nickname, ‘Hide-Away Tom’, effectively summarises his hermitic tendencies. (The G-rating and supplementary education kits can’t have hurt, either.) Its message of environmental conservatism and social acceptance has ensured that generations of kids have been treated to fuzzy VHS transfers of the film. Henri Safran’s adaptation of Colin Thiele’s 1964 novel established its reputation with a then-impressive haul of $2.6 million at the local box office, since maintaining a cultural foothold thanks in large part to its ubiquity in primary school classrooms. ![]() ![]() ![]() I practiced Beethoven on piano during the day and in ’96 was the lead singer and bassist for the first American band to play the nation of Kazakhstan when we covered “We’re An American Band” as headliners at the Olympic stadium in Almaty. I was the oldest brother and none of us would discover pot for several more years. The show because my Dad said he would pick me upĪt 10pm at the coliseum’s main entrance or no more rock concerts for me. When I saw them in ’73 missed almost half With over-used and non-applicable cliches. What a load of snooty, stereotypical tripe, laden But those were desperate times, and desperate times call for desperate measures. Sure, Grand Funk was a case study in mediocrity. ![]() America’s teens wanted hard rock, not Jeremiah the Fucking Bullfrog. I can’t say as I blame the kids of the early seventies for gravitating to the likes of Grand Funk Railroad, not when their options included such yawn care professionals as James Taylor, Chicago, and Three Dog Night. Instrumental jam “Mark Says’ Alright” is so much pointless paradiddle, but at least it boasts some get up and go, which is more than you can say about blooz bores “Heartbreaker” and “Mean Mistreater,” the latter of which is distinguished only by the line, “Mean mistreater, can’t you see I’m real?” Message to Mark: Are you sure? Is it possible you’re a figment of your own imagination? Its basic theme? Don’t ask Mark about his bread cuz he ain’t gonna give you none. “In Need” also exceeds the 10-minute mark. Other LP long-stemmers include “Inside Looking Out” (highlight: the part where Mark goes “Suck! Suck! Suck! Suck!”–because the song does!) and “Into the Sun,” which can only be described as a Journey to the End of Your Patience. Shit like this was better drooled through. There’s a reason downers were so popular in the early seventies. The interminably dragged out and charmingly titled “T.N.U.C.” (a class act, our Grand Funk) even features a 6-minute Don Brewer drum solo, word of which led then President Richard Nixon to invoke a an emergency powers act making them a Class I felony. As for “Paranoid,” it’s almost as heavy as the Black Sabbath song of the same name, and features more fat bottom bass by Schacher and a guitar solo worth a good 15 cents of your ticket price.Ī few of the other songs show occasional flashes of medium quality uptempo hard rock unfortunately, they’re embedded in plodding jams like fruit suspended in unflavored jello. ![]() ![]() The other keepers are LP opener “Are You Ready” and “Paranoid,” the first of which kicks out every bit as much jam as fellow Michiganers the MC5’s “Kick Out the Jams.” The Funk does the Detroit boogie, Mel Schacher’s bass shakes the walls of the Jacksonville Coliseum, and this is good time music at its best. But they’re not!” But what if, in fact, said brother really is your brother, as in you share a bathroom and regularly pool your pennies to buy a bottle of Romilar? Are you supposed to turn him over to security? Whatever happened to come on people now? On the 52-second “Words of Wisdom,” vocalist/guitarist Mark Farner stops the music to say, apropos accepting strange drugs from other concert goers, “Brothers and sisters, there are people out there who look just like your brother. I count three, only three, keepers on Live Album, and one of them isn’t even a song. But whereas Led Zeppelin raised the musical bar forever, Grand Funk’s sole claim to immortality is the iconic anthem “We’re an American Band.” Rebelling against the music of your older brother, who at 25 may as well be in a nursing home, is as natural as falling flat on your face after downing four ‘ludes–you have to take out puberty on somebody. Bob Dylan didn’t mean jack shit to them, and The Beatles were ancient history–all they wanted to do was gobble Mandrax and fuck in the back seat of their Chevy Camaros. But they were amongst the first bands to appeal to a new generation of primarily working class teens who came of age at the receding tide of the hippie subculture. Not insofar as their meat-and-potatoes-without-the-meat hard rock went–they weren’t fit to lick Jimmy Page’s double-neck Gibson. Grand Funk Railroad were the American version of Led Zeppelin. Which is why the band’s 1970 double LP Live Album is so important a historical document. Hell, had I been a bit older, I probably would have seen them. Your parents may have seen them–if you’re of a certain age, you may have seen them. There was a time, believe it or not, when Grand Funk Railroad were the biggest live act in America. ![]() ![]() ![]() Overview & Features of Kick The Buddy v1.0.4 MOD Unlimited Money/Goldīefore you download Kick The Buddy v1.0.4 MOD Unlimited Money/Gold APK, You can read a brief overview and features list below. Download full APK of Kick The Buddy v1.0.4 MOD Unlimited Money/Gold. KICK THE BUDDY ARRIVES ON GOOGLE PLAY Kick The Buddy v1.0.4 MOD Unlimited Money/Gold APK Free Download Latest version for Android. 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The government has argued that the applications are engaged in activities that are prejudicial to sovereignty and integrity of India, defense of India, the security of the state, and public order. ![]() ShareIT, UC browser, and shopping app Clubfactory are among the other prominent apps which have been banned. Chinese Apps Banned In India: The government has banned 59 Chinese applications including top social media platforms such as TikTok, Helo, and WeChat to counter the privacy security posed by these applications. ![]() |
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